This body of work combines photography and sculpture to explore the lingering presence of harm and the quiet resilience that follows. Shiny, artificial hands—symbolic of control and detachment—are staged alongside fragile flowers, their softness resisting and enduring. These hands do not comfort; they impose. Through constructed scenes, I examine the tension between dominance and vulnerability, presence and absence. The camera freezes these encounters, inviting reflection on what is taken, what remains, and what slowly begins to bloom again.